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Film distribution in the digital age.


  • The New World in the NY Times

    Just like everyone else these days, the New York Times is onto the notion that distribution is a-changing. Manola Dargis profiles Peter Broderick tomorrow and positions him in the New World and all those turnkey distributors as the Old. No matter, I suppose, that Broderick has been saying the same thing (and possibly delivering the same Power Point- no offense, Peter) for many years at various festivals and seminars.

    I’m guilty of being one of these people who are offering to help filmmakers develop a strategy if they choose to hoist the mast of their own Niña or… [more]

  • 2010: Odyssey Two (Or, it’s my year)

    The year is starting out with big news for me- I’m leaving my job as Director of Home Media Sales & Marketing at Zeitgeist Films, where I’ve been in charge of selling DVDs and the move to internet and VOD licensing.

    I’ve decided to return to the equally if even less logical pursuit of making docs, consulting, and looking for a sustainable day job. I’m very excited and I hope I’ll be able to give readers of this blog an even more first-hand take on the challenges and opportunities for filmmakers today.

    Stay tuned!… [more]

  • What is the DVR of Indie Film?

    On his Blog Maverick site, Mark Cuban addresses the illogic behind opposition of the DVR by big media companies like Viacom and Disney.

    For some reason they want to kill off the DVR… Do you not realize that the DVR is the one device that can save all things traditional and holy to your business and stock price?… Let me ask a simple question, if everyone had a DVR that could record any and every series they liked, enabling them to watch the shows they missed immediately, why would they go to Hulu ever again?

    When new technologies come along… [more]

  • Killer Aced; sponsorship could help finance your indie film

    There are all kinds of schemes and innovations emerging in financing and marketing, and it’s no surprise that veteran producer Christine Vachon and her production company Killer Films are at the forefront. Vachon has teamed up with online film production network Massify and the uberhip NYC Ace Hotel (the Seattle and Portland locations are favourites of mine) to produce a series of short films- with sponsorship money from the hotel and the website but basic creative freedom (the films are set in a hotel, but that is hardly a constraint).

    At tonight’s IFP fete for

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Distribution in the digital age. Film/video/future. A resource for independent filmmakers about new technologies, copyright, and digital rights management.

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