Dive into the archives.


  • Content is King?- Panel at DIY Days takes on the outlets

    Highlighting the eternal “this is my art” versus “this is a product” tension that is only getting more acute as online markets grow (and do not necessarily make more money per film), this discussion from the recent DIY Days isn’t exactly new info, but it does give a sense of what some issues are for filmmakers.

    The somewhat deer-in-the-headlights initital reaction of the audience to Arin Crumley’s demand to know what filmmakers need in the digital distribution realm I think is pretty reflective of where we’re at right now.  Also, small point, I don’t think Current TV

  • Crash Course

    As we’ve moved increasingly into mobile technologies, English teachers have been aghast at the trend of shorter, even micro communiques with questionable spelling and grammar that have all but made the elegant postal letter obsolete.Cinema studies grads may be the next to gasp. If When the Internet and Film Collide is the guide to the new film ouvre, ‘mobile cinema’ looks a lot like what we formerly called a “promo clip”. On mobile, attention spans are short and pixels are few. Even on laptops with giant 14″ screens, on services such as MySpace or YouTube, viewers… [more]

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infinite cinema

Distribution in the digital age. Film/video/future. A resource for independent filmmakers about new technologies, copyright, and digital rights management.

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