Dive into the archives.
- RiP: A Remix Manifesto in the tradition of mainfestos past
I recently got a chance to check out RiP: A REMIX MANIFESTO, the Canadian documentary that takes a look at copyright (and the mashup artist Girl Talk) in a kind of method way- the producers, EYESTEELFILM, and director, Brett Gaylor decided that since the costs of licensing all the expensive music in the film would be prohibitive, and since the film was about these costs, it would essentially be fair use to go ahead and use whatever they wanted (including network footage, usually very expensive) and just see what happens.
It’s a pretty interesting concept, and though the film… [more]
- Remix, Reuse: New Rights Models at Silverdocs
The internet has made copyright issues complicated enough for filmmakers wanting to make money distributing their films. For documentary filmmakers, the issues around fair use and copyright have always been a counterbalance to their own impulse to protect their creative work. At SILVERDOCS this past weekend, panelists tried to sort out some of the emerging issues in the complicated arena of copyright law. One issue that emerged is the challenge to actually get proper licences for works that because of digital duplication are now often difficult to trace to a legal source. USC School of
- Cost-benefit protections
The folks over at TechDirt responded today to the discussion at Cato Unbound regarding copywrite that I discussed earlier. In their incredulous reaction to the idea that copyright is still viable (or at least to the article by Doug Lichtman, a law professor at UCLA on the subject), they offer their own “helpful hints” for saving the movie business.What’s interesting about these suggestions is that they suggest that even the savviest tech types are still under the impression that theatrical revenues are either particularly significant for most releases or that… [more]
- Breakin’ the LAW
Are you a “criminal”? Or are you influenced by over-the-top rhetoric? Either way, you might want to head over to OpenSourceCinema where you can voice your opinions photographically.HT: Agnes Varnum
- Politics II: Watermarkworld
Tim Lee has posted his response to Rasmus Fleischer’s proposal to ditch copyright law at Cato Unbound, making the hardly strident but accurate point that copyright law is still functional outside the digital realm.In that domain, a reader comments on my earlier post: I think the general consensus among folk who study this stuff is that watermarking — and a variety of schemes have been floated for years now — isn’t really going to be that helpful. The large-scale distribution content firms worry about, as on p2p networks, typically involves skilled geeks who can strip away… [more]
- The politcs of reproduction
Digital distribution isn’t just a quandary for filmmakers or “the industry”- politicians are worried about it too. Just how copyright law can be maintained, transformed, or judged gratuitous is something that the Congress is grappling with (though unsurprisingly, not in a very productive way).Over at think tank Cato’s Unbound, which operates in a kind of debate format, Rasmus Fleischer has posted his argument as to why the entire Copyright law is superfluous, essentially because in the digital age, all media is so easy to copy that it is not possible to protect works from being duplicated… [more]
