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From Spout‘s Telluride coverage (and brand new web look), Karina Longworth reports on a panel called “Snip Snip: Are Cutbacks in Film Distribution and Criticism Affecting Quality Filmmaking?“- the predetermined answer reiterated repeatedly as Karina describes the various doomy takes on the internet’s evil influence and some unmitigating weak sauce “positive sides” such as Paul Schrader‘s pithy “ ‘There’s [currently] no money in it, but it’s much better to gore the ox than to hold the ox that’s being gored.’ ”

The only person who seemed rather blithe, from Karina’s description, was Michael Barker.  As I previously noted, Sony Pictures Classics is in a rather smug position as far as “indie” distributors go- being in bed with Sony, who own the Blu-Ray patent and are working with a host of downloading folks with their Bravia TVs.  Perhaps Mr. Barker is just a natural optimist, but it does seem likely that as seasons change, SPC has some very good opportunities to grow.

As far as blogging goes- and this is really off topic- film criticism serves two purposes: 1- to tell people about the film so they can decide whether to see it, or in the case of ‘advanced’ criticism, so they can understand it more; and 2- for marketing purposes.

The second purpose is really only served by certain kinds of critics- either famous well-regarded ones, in the case of quality films, or at least national ones, in the case of popular fare.  All the other ones really aren’t that important and can be replaced with bloggers.

The main problem for independent film and bloggers is that everything gets very spread out, so that it’s hard for a small film to get much of a push from a good review.  It also means film is less in the public eye in general, since the local papers and weeklies all tend to have syndicated reviews of the same films.

Rather than a quality film site like GreenCine or Spout, what could be more effective in increasing audience is a great syndicated feed, with lots of variety and independent & arthouse cinema, that could feed to popular sites and portals.

HT: Chris Thilk


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And…Cut! Pessimism at Telluride

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Distribution in the digital age. Film/video/future. A resource for independent filmmakers about new technologies, copyright, and digital rights management.

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